Showing posts with label Prog Rock. Show all posts
Showing posts with label Prog Rock. Show all posts

Saturday, 25 August 2012

LINK: A Prog Rock Memoir

Many thanks to my brother-in-law Ant, for sending me this link. I am really proud of how this is becoming a truly family affair...

Ian Anderson, Gavin Esler and Robert Fripp
Prog trio … Jethro Tull's Ian Anderson, Gavin Esler and King Crimson's Robert Fripp. Photograph: David Warner Ellis/Jeff Overs/Michael Putland/Redferns/PR/Getty

It was all Murray Sim's fault. He lived near me on the outskirts of Edinburgh and when I was about 13 he told me he had bought an amazing LP. It was called The Piper at the Gates of Dawn by some people with a really weird name … Pink Floyd. One day after school he played it for me. My music tastes at the time were fairly wide (they still are) – everything from the Incredible String Band, Bert Jansch and Bob Dylan to Tamla Motown, John Mayall, Howlin' Wolf, Cream and the Rolling Stones. But this Pink Floyd thing was … different. I wasn't very enthusiastic at first.

Read on...

Tuesday, 27 March 2012

JUDGE SMITH: Orfeas lauded en Francais

So it seems that we are not the only people to be massively impressed by Judge Smith's Orfeas album. The following review is from a French wesbite, and is translated by those jolly nice people at Google. We are posting it for several reasons, not the least because the sentiments expressed are very similar to our own; like us he was someone that they had vaguely heard of, and like us the release of Orfeas has turned them into a true fan...



Rating: 7.5/10

His name sounds perhaps like a distant echo in the memory of some. Judge Smith is indeed the co-founder of Van der Graaf Generator with Peter Hammill , although it has left the adventure start 1969 before recording the first 33 laps of this group. Occupied by various musical projects, from design stage performances to composing for other artists, creating an opera of modern music in a TV series and even a film, Judge Smith expects 1991 to produce his first album, a collection of songs written between 1968 and 1977 ("Democrazy") and 1993 for his first original album is finally born ("Dome Of Discovery").



In the 2000s, he moves up a gear than seven CDs released since, one of which, "Curly's Airship", he says is the most ambitious rock album ever produced to date. "Curly's Airship" is also the first Songstory , name that gives a narrative form of music he loves and whose "Orfeas" is the third avatar. The man is complex and analysis of his music proves it. Indeed, "Orfeas" is certainly an ambitious and complex concept. Beyond the argument (revisiting the myth of Orpheus by modernizing, becoming a rock guitarist Orpheus and Eurydice idolized his muse that he will eventually), it is especially the bias of the composition s 'is original. Judge Smith has decided to register by September formations of different musical styles, each being associated with a training style.



We discover, therefore, in order of appearance on the disc, a Greek bard singing so hard on bombastic guitar arpeggios Hispanic, the Orfeas Band, rock band, Judge Smith using his technique of speech music on the soliloquies of Orfeas , a technique also used in interviews complimented with a string sextet, techno music to symbolize the passage from dream to reality of the heroes of classic opera songs way between Orpheas and Eurydice, played by Lene Lovich and finally a group of metal for the tragic end of the story. If the bard who plays the role of narrator is amusing at best, annoying at worst, the string sextet mixing romantic and contemporary music and that there is not much to say about the passages techno and metal very marked in their respective genres, back on the other three sets. Orfeas The Band plays instrumental rock classic, even if an instrument is an accordion relatively discreet. It serves mainly as a backdrop to the two soloists are impeccable as John Ellis and David Jackson . John Ellis (the "hands of Orfeas") treats us gratifying guitar solos and removed. David Jackson shines for her many saxophone in However, a register wiser than he who was in his VDGG . The duets between Judge Smith and Lene Lovitch resemble vocal improvisations: no guidelines really emerges from these "songs", this is a conversation where protagonists are expressed in these notes as in musicals where the music follows the text and not the other.



Finally the six soliloquies and two interviews using an original technique called speech music whereby every inflection of the voice is converted into its equivalent music. The "score" is then created and played by an instrument whose sound is superimposed on the voice, generating an echo phenomenon, all served on a discreet orchestration. The effect is pretty amazing and made ​​the soliloquies are sufficiently short that the surprise did not turn into annoyance. All these styles are intertwined in the album, giving a report to the staff and less chaotic. Unnecessary to consider what was coming off the lot titles, "Orfeas" is an indivisible whole that we appreciate as a whole or rejected as totally.



But creativity, inventiveness, attention to detail, the factual quality of the interpretation are undeniable. All sprinkled with a healthy dose of humor. As for assessing the results, it's just a matter of personal taste.

Friday, 23 March 2012

WELCOME TO THE HOUSE OF PROG


I just want to say a big 'thank you' to our new friends at The House of Prog who have made us very welcome, and not only let us post there every day to plug what we are doing here on the Gonzo Daily Blog, but actively encourage it. What nice people they are to be sure!

http://www.houseofprog.com/

Thursday, 22 March 2012

GREG LAKE: Punk rock 'wasn't a musical movement'

King Crimson and Emerson, Lake and Palmer founding member Greg Lake slammed punk rock in a new interview, calling it a fashion trend instead of an artistic one.

Speaking to the Montreal Gazette, Lake disparaged the musical value of punk. “The punk thing wasn’t a musical movement,” he said. “It was a fashion movement. It was a hyping, marketing movement. There was no real music there, no cultural revolution there.

"Punk was [Sex Pistols manager Malcolm] McLaren trying to whip up some media hype to create a genre so that everybody could ride on the crest of another marketing wave," Lake added. "It was only a question of a few idiots wearing tartan kilts and putting gel in their hair so it stood up like spikes.

Read on...

Wednesday, 21 March 2012

WALLY: The Belgians like 'em (and so do I)

Another great review from Belgiuum. This time it is the fabbo new album from Wally which has become another fixture on the office hi-fi. The big question that remains unanswered is why weren't these guys huge first time around? And why did I have to start working fopr the record company before I heard of them. I am making it one of my great purposes in life to make sure that Harrogate's best kept secret, remains a secret no longer.


Picture
Few of you will perhaps know of this band? The spores of this outfit, we find already back in the early seventies. They then took part in a contest organized by Melody Maker. They were among the finalists but were overtaken by another band. This contest took place at the famous Roundhouse in London. But luckily there was one DJ "Whispering" Bob Harris present and when I say that he also was the producer of the renowned BBC program "The Old Grey Whistle Test" I have said enough, right? Soon there will be a debut album and that was with Rick Wakeman geproducet. He was impressed with their music when he attended the final in the Roundhouse. Where can we find Wally among cataloging? Precisely, under the label hardrock like their striker brothers Uriah Heep and Deep Purple dominated the keyboards and the guitar of their oeuvre.
The musicians we have here on the CD heard Roy Webber (the original singer and co-founder), Paul Middleton (also a founding member and bass player), Pete Sage (violin, mandolin, guitar), Roger Narraway (drums), Will Jackson (guitar, piano), Nick Glennie-Smith (keys) and many other names. It was 36 years ago that they were all together in a studio while they were working towards the sound of Wally during their early period. With the numbers we can find some tracks which were originally designed for their third album for Atlantic Records, but that was unfortunately not.
These eight numbers are as good as indeed the perfect sound of Wally roughly 40 years ago. Melodic rock we find in each issue as well listen to 'Sailor' is a bit early on Procol Harum's "A Salty Dog 'but ultimately seems much stronger than' Dog '. Very long lead of a song that you immediately put on the wrong leg. "Sister Moon" is also very slow on stream and the guitars play an important role.Handsome riffs set the right tone and Neil Young is here now and then looming around the corner.
Is this symphonic rock? Yes and no, portions of their songs jump right out of the symphonic packaging while including longer be able to rock meets progs with influences of country and westcoast rock. Listen especially to 'In The Night', that says more than enough about the quality of these guys. Rock meets progr rock flavored with a touch of country rock and rock west cost. Alfons Maes (3)




JUDGE SMITH: Popular in Belgium

There really is somethging magickal about Judge Smith's new album 'Orfeas'. I know that I keep banging on about it, but it really is one of the most magickal pieces of music that I have heard in a long time. Clearly othger people think so too, which is why I am reposting this Belgian review. I have not done any editing on it, because I think that correcting the odd grammatical error would take away some of the wide-eyed charm of the rveiew, which is obviously by someone who loves the record as much as I do...

http://www.keysandchords.com/6/post/2012/03/orfeas-a-songstory-by-judge-smith.html
Picture
Orfeas: A Story Song By Judge Smith 18/03/2012
0 Comments

Christopher John Judge Smith is an English composer and co-founder of the band Van der Graaf Generator. Initially he was successful under the name Chris Judge Smith, but ultimately he chose simply Judge Smith. He was the original drummer for Van der Graaf Generator, but when Guy Evans took the drumsticks in hand yet is limited to the vocal parts. After recording the first single "People You Were Going To" Smith decided to drop this project.

Along with saxophonist David Jackson, he formed the band Heebalob. But unfortunately this was also short-lived, zoadat Smith eventually chose solopad. Of the many songs in that period he overwhelming, there are few to excel on his solo debut "Demo Crazy" from 1991. This release was badly crushed in a limited edition and is now a real collectors item. Two years later 'Dome Of Discovery'. The strange thing behind this album is that Smith except the vocals also each note sampled sounds from real instruments arise. In 2000 he completed the double 'Curly's Airship, a project that dealt with the R101 airship disaster in 1930. Eight years we had to wait on 'Long-Range Audio Device'.

On May 9, 2011 appeared than this 'Orfeas', and this is Smith's third straight song story. It is actually an interpretation of the myhte of Orpheus, performed by seven separate ensembles. In addition to Judge Smith granted a lot of famous artists their cooperation. Or how about Gigi Cavalli Cocchi (drums), Dutchman René Commenée (percussion), John 'Fury' Ellis (guitar to include Peter Gabriel, The Stranglers), David Jackson (saxophone), Dorie Jackson (backing vocals), Lene Lovich (vocals), David Minnick (guitar), Ben Nation (cello), Ricardo Odriozola (violin) and Bert Mantilla (accordion). The song story is neatly divided into three acts. Together accounted for 34 tracks or 77 minutes and 42 seconds exactly. Smith eagerly makes use of wild contrasting music is a melting pot of Southern guitars, classical string orchestras, meditative trance sound and metal rock. Some describe it as ethereal pop, though I would seriously consider this term.

Judge Smith is a magical musician who's counting a coherent story. Philip Verhaeghe (3)

Tuesday, 20 March 2012

JUDGE SMITH: new podcast now online.

Jon Kirkman emailed me a few minutes ago.

"Just so you can do a story about it there is a new Judge Smith Podcast live on the Gonzo website HERE

It is almost an hour long and is Judge in conversation with me and we are also playing tracks from the Orfeas album. There will be two more Judge Smith Podcasts in the next few weeks".

For the record, I am still engaged in a love affair with this extraordinary album, and am very much looking forward to talking to Judge myself, some time soon...

Saturday, 17 March 2012

WALLY: UK Prog Legends Wally Reunite and Release New Album 'Montpellier'

3/17/2012 – Harrogate, UK - Much to the excitement of progressive rock fans across the globe, UK '70s prog legends Wally have reunited and recorded a new CD titled 'Montpellier'. Comprising of reworked demos from the band's earlier incarnation, along with new material written by founding members Roy Webber and Paul Middleton, the CD is scheduled for release on February 10, 2012 in the UK on Gonzo MultiMedia.

Wally, led by singer/songwriter Roy Webber, originated in Harrogate, Yorkshire in England in the early '70s. In 1973, after playing the northern UK pub rock circuit, the group entered a new act competition organized by English music paper Melody Maker. The band made it to the finals held at London's Roundhouse Theatre, but did not win. They did however catch the eye of one of the judges, “Whispering” Bob Harris, legendary DJ of The Old Grey Whistle Test. The runners-up prize was the opportunity to record a session for Harris's BBC radio show The Monday Program. Taking Wally under his wing, Harris secured a recording contract with Atlantic Records. “I really liked them,” recalls Bob Harris. “I liked the swirling sound they made...acoustic guitar, electric guitar, fiddle, Fender Rhodes piano and pedal steel guitar. I liked their harmonies, the way their voices matched. I liked their influences...David Crosby, Jackson Browne and Neil Young. But most of all I liked Roy Webber's songs.”

The group's eponymous debut album, recorded at Morgan Recording Studios in London, home of Black Sabbath and YES, was released in 1974. It was co-produced by Bob Harris and legendary YES keyboardist Rick Wakeman, who had seen Wally perform at the Roundhouse. “I will never forget the first time I heard Wally,” Rick Wakeman relates. “I was completely bowled over by both the music and enthusiasm of the guys in the band for what they were doing. Whilst singing their praises to all the music industry I came across over the next few weeks, which included my management at the time, and Phil Carson, who was the head of Atlantic Records, was discovering that my great friend Bob Harris was also a massive fan and this culminated in the pair of us having the privilege of producing their first album together."

After Wally's debut release, now managed by Brian Lane, best known as the manager of YES, embarked on a series of tours through the UK, Japan and US. They even opened for YES at a concert in London at the Alexandra Palace and also made an appearance on The Old Grey Whistle Test. “The band recorded sessions for my 'Sounds of the '70s' show on Radio 1 and played on Whistle Test,” says Bob Harris. “They slept on the floor of my London flat, we did big tours together, bought one-legged pedal steel guitars and broke the bar-bill record at Morgan as half of Harrogate arrived to put a drink on our tab, or a tab on our drink...we didn't care. We were having far too much of a good time.” “The great thing about Wally for me was the fact that they were as tremendous on stage as they were in the studio,” adds Rick Wakeman, “so I had no qualms whatsoever when inviting them onto the bill at my 'Journey To The Centre of the Earth' concert at Crystal Palace in the summer of 1974, and as expected, they were tremendous.” Wally released a second album titled 'Valley Gardens', but by that time continual touring had taken its toll and the band eventually parted after Atlantic ended their contract. Wally's members would go their separate ways, only to reunite after a 30 year hiatus!

In 2009, the surviving members of Wally's original line-up (Roy Webber, Paul Middleton, Pete Sage, Roger Narraway and Nick Glennie-Smith, augmented by Frank Mizen on pedal steel and Will Jackson on guitar) reunited and performed to a sell out crowd in their hometown of Harrogate. A DVD of the concert titled 'The Urban Man' was released later that year. Which brings us to the release of the bands first studio release in decades 'Montpellier'. “I've always believed that if music is placed above individuals as regards to importance, then it will live on forever,” says Rick Wakeman about Wally's reunion. “It's a relief to report it still has all the qualities that made this instrumental band special all those years ago,” says Graham Chalmers of the Harrogate Advertiser about Wally's new CD. “Emotional but not sentimental, epic but grounded, warmly melodic but with the emphasis on harmonies and the overall feel than the central riff.” Along with playing another reunion show in April 2011, Wally's track "Your Own Way" from their debut album has been included on the latest The Old Grey Whistle Test country compilation album to be released later this year.

For more information: http://www.wallymusic.co.uk/

WALLY: Why Wally?

Legend has it that at the 1969 Isle of Wight Festival, Bob Dylan lost his dog. The dog's name was 'Wally', and a distraught member of the festival organisational team, who was probably worse the wear for chemicals clambered on the stage between acts and started shouting "WALLLEEEEE!" over the PA. The crowd took up the chant, and a neologism for 'someone stupid' was born.

Like most legends this is probably 90% apocryphal. There are too many holes in it. Why would a rock star (who had flown from Heathrow to John Lennon's Surrey mansion by helicopter, have his dog with him? Even the most star-struck of custom's officers would have stopped 'The Big Zim' from bringing it into the country. A variant of the story goes that Dylan adopted a stray dog that was wandering about the festival ground and named it 'Wally', but again this seems unlikely. But by 1974 the term had entered the hippy venacular.

A disparate group of freaks who may or may not have been led by one Phil Russell (aka Wally Hope) adopted 'Wally' as a group name a-la 'Luther Blisset' or 'Emmet Grogan' when they were busted after the first Stonehenge Festival, in 1974. And the next year when Hope died under mysterious and sorded circumstances, the name 'Wally' was part of our shared culture.

By the end of the decade it had entered the mainstream and the rest is linguistic history.

What I am wondering, is where the group got their moniker from? Has it anything to do with the events described above? Or is it a coincidence?

A dear friend of mine (the one responsible for all the pictures of sky clad witches trying to raise the Loch Ness Monster) claims that there is no such thing as a coincidence! Ha!

I have been working as a maverick zoologist and writer for the past two decades and I haven't done a pop music interview in nearly as long. My technique is probably a little rusty. But I will be talking to Wally soon, and I bet you can guess what my first question is going to be...

JUDGE SMITH: Dutch Review

CHRIS JUDGE SMITH - Orfeas (2011)

Co-founder of Van der Graaf Generator ...

... made ten albums and now comes with 'Orfeas', a retelling in a modern style of the classic story of Orpheus, the mystical musician to the Land of the Dead travels in search of the lost Eurydice.

The legendary Chris Judge Smith is This "movie for your ears", as the accompanying letter states, including assisted by David Jackson, nice to him after his forced departure from VDGG again to hear, guitarist John Ellis (Peter Gabriel, King Crimson, Stranglers), drummer Gigi Cavaalli Cocchi (Moon Garden, Mangala Vallis) and Lena Lovich (the famous new wave singer).

Smith's love for a combination of song, spoken word and music is here performance exhibited in a 34-piece 'three act-song story'. So there you love but it appeals to me: strong musicianship, excellent production and great songs all take the strong and fairly strong musical interludes, a sort of mixture of death metal, trance, rock and classical music, I sometimes just to short. Smith is also a novelty which he, with a relatively unknown technique, recorded vocals into music and melody. I find it intriguing but it is hard to explain. Listening is the motto.

Orfeas is an excellent and successful attempt of Smith to this wonderful, classic story telling again, wrapped in a fine coat in which musical creativity and humor have found their place. The sleek layout and the book make it down. Harry 'JoJo' de Vries (what a week 11)


Friday, 16 March 2012

WALLY REVIEWED

http://www.progrockmusictalk.com/2012/03/review-wally-montpellier.html

FRIDAY, MARCH 16, 2012

Review: Wally-Montpellier

Wally has added another great CD to the long and strong tradition of English Progressive Rock with their album Montpellier. Fans who remember the band from the early 70s will find that Wally has retained their classic feel, but with some tasty additions. The most important would be Frank Mizen on steel guitar. His prevalence in the music throughout the album lends it a slight Southern feel that makes for a really interesting sound.

“Sailor” opens the album with atmospheric synth accented by the sound of gulls. A guitar blast and crash cymbal mark the end of the introduction and the beginning of a thoughtful ballad with Beatles-esque piano and vocals. After a couple of times through the verse and chorus, the song erupts with guitar and organ sounds leading to an electric finish, tempered by the briefest denouement (the sound of gulls again). “Thrill Is Gone” has a more raw sound. The highlight of the song features the bands other new addition, guitarist Will Jackson. His solo develops from a simple riff in the lowest range of the instrument into a shrieking jam worthy of any number of great guitarists (think Duane Allman meets Eddie Van Halen). “Surfing” is a very unique offering that begins with spoken vocals and instruments that sound like the background music of a Tom Waits song, and then it turns into a straight-forward rock song on the chorus with screaming vocals. Very cool!

The album closes with the powerful anthem “Giving.” It literally gave me chills when I first listened to it. The classical-style strings (and/or synth) that begin and end the song would be beautiful all on their own, but the middle section of the song blows even those sweet moments away. The final arrival of the lead guitar solo towards the end of the tune is nothing less than triumphant. Wally is a great band still dedicated to doing their own thing. I hope that they continue to make music for another 3 or 4 decades!

4/5 Stars

Key Tracks- Sailor, Thrill Is Gone, Giving

Donny Harvey


March 15, 2012

Wednesday, 14 March 2012

JUDGE SMITH: Many layers of the onion

ORFEAS, Part Three
I am still trying to get my head around this record. The more I listen to it the more complex it becomes. One of the most irritating things about much popular music is the wysiwyg sundrome - basically what you see IS what you get, and the thing about artists like Judge Smith is that it is nothing like that.

It works on all sorts of levels. On the surface it is a jolly collection of songs which tells a story with engaging characters.

But it is also a whole collection of different pieces of music in a number of different idioms. It also features Lene Lovich (who is a great and sadly underappreciated singer) and John Ellis, the guitarist from The Vibrators who was one of my inspirations back when I was a spiky haired little herbert just about to be expelled from a not-very-good public school back in the day.

It is also a remarkably complex allegory, which uses a Chorus in the fashion of Greek Classical drama. But it also has drug jokes (one at least).

I am giving it a few more days, and will be listening to it again. Judge, by the way, emailed me yesterday. He seems a jolly good fellow, and I will be interviewing him in the not too distant future, so watch this space dudes and dudettes..

Tuesday, 13 March 2012

JUDGE SMITH: Speech Music and Allegorical tales

ORFEAS, Part Two

We sat down to listen to it last night, and although I know vaguely what I was expecting, but what we got was nothing like it.

For one thing I didn't expect it to be so enjoyable. I was expecting a piece of heavy Art with a capital A, but what we got was definitely well crafted, artostically valid, yadda yadda yadda, but it was also really entertaining and good fun.

It tells the story of George Orpheus, a rock guitarist of a certain age, whose career is dependent on his artistry on a magickal guitar called Eurydice (which he completely misunderstands, misreading it as "Furry Dice"). It transpires that Eurydice is actually his muse (no, not a three piece rock band from Teignmouth, that would have a capital M, duh!) and the magick guitar was her way of communicating her creative spirit into the engagingly numb skull of George O.

When George O turns his back on his creativity, disaster strikes....

One of the most striking things about the album is the way that Judge Smith uses a singular technique that I had not come across before:

"Speech-music involves taking a recording of a spoken voice, and then setting that recording to music; a music that closely follows the rhythm of the spoken words and the natural rise and fall of the speaker’s voice. This rather demanding and arduous technique was first heard in the 1980s, in the work of a small number ofcomposers and performers, all from the Americas. These include Scott Johnson, Hermeto Pascoal, and Steve Reich, while more recently RenĂ© Lussier and Charles Spearin have continued to develop the idea. But perhaps the most accomplished speech- music practitioner to have emerged is another American, David Minnick,whom I was lucky enough to involve in the Orfeas project. My own initial experiments in the field can be heard on the 2007 L-RAD album Long Range Audio Device, and my only minor claim to originality in using the technique is that I believe I mightbe the first composer to use 'acted' or deliberately performed speech to generate the music, as opposed to documentary recordings of one kind or another".

JUDGE SMITH: Orfeas (Yer Press Release)

2/29/2012 - London, UK - Independent composer and recording artist Judge Smith, who in 1967 co-founded with Peter Hammill the influential underground band Van der Graaf Generator, has created a movie for your ears – a new concept CD titled 'Orfeas'; a retelling of the ancient myth of Orpheus, the magical musican who travels to the Land of the Dead in search of the lost Eurydice. Since his Van der Graaf Generator days, Judge Smith has been responsible for a wide variety of music projects, including four stage-musicals (with productions at the Edinburgh Traverse, Sheffield Crucible and the Lyric, Hammersmith), opera and cantata libretti, songs for the ‘70s TV show ‘Not The Nine O’clock News’, and songs recorded by Peter Hammill and Lene Lovich. His film ‘The Brass Band’ has won several international awards. Judge Smith's music is complex in structure and often fragmented, but is always tuneful and strangely memorable, with humor never far from the surface. In the course of a twenty-year independent solo career, he has released ten CDs and DVDs.

“My principal interest is in telling stories with words and music,” explains Judge. “Some of my CDs are collections of songs, the usual format for an album, although people say that my songs are unusual and idiosyncratic. However, three of my projects are in a different category. Over many years, I have developed a new way of making extended musical narratives that I call ‘Songstories’, which are more complex than song-cycles or ‘rock operas’. They are not ‘musicals’ either, since they are pretty well un-stageable, and are each intended to be being complete as an ‘audio experience’. The three Songstories are all very different. The first, ‘Curly’s Airships’, a double CD with a running time of two hours and twenty minutes, was completed in 2000 after six years full-time work, and tells the story of the 1930 R-101 Airship disaster. It is probably one the largest and most ambitious pieces of rock music ever recorded. The second, ‘The Climber’, released in 2009, in complete contrast, is performed by me with an unaccompanied Norwegian male voice choir, and a double bass. The third Songstory is ‘Orfeas’, my own interpretation of the Classical myth.”

This Songstory uses wildly contrasting styles of music to tell its story, including instrumental Rock, Mediterranean guitar music, modern classical string sextet music, classical Trance dance music and Death Metal. 'Orfeas' also features a radical, and little-known, technique for transforming recorded speech into melody. “As far as I am aware, I am the only person making work like this, and I think it would be probably fair to say that no one else does what I do,” says Judge.

“Best known for his role in the formation of Van de Graaf Generator, Judge Smith is clearly not an artist with much interest in toeing the line. 'Orfeas', a three-act 'songstory' in which Smith and a host of guest performers re-imagine the titular Greek legend as he headlines at Wembley Arena, is effectively an exercise in schizophrenic musical theatre, replete with rambling soliloquies and plot-revealing dialogue set to avant-garde chamber music, that takes in everything from Jaunty rock radio-jingles and ethereal pop.” Dom Lawson – Classic Rock Presents Prog

In recent news, on November 6, 2011 a performance of Judge Smith's 'The House That Cried' was held in Como, Italy. The show also took place on November 20, 2011 in Chiasso, Switzerland.

For more information visit www.Judge-Smith.com

To purchase Judge Smith – Orfeas CD http://www.gonzomultimedia.co.uk/product_details/15417

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@cs.com

Monday, 12 March 2012

JUDGE SMITH - Tell me the old old story

ORFEAS, Part One

I've got a confession to make. I have vaguely heard of Chris Judge Smith over the years, but until this evening I hadn't ever got around to listening to him. And not for the first time in my life, I am cursing the unfortunate omission.

OK, what do you think when you hear that an ex-member of Van der Graaf Generator has made a mildly avant garde concept album based upon the classic story of Orpheus and Eurydice?

(EDITOR'S NOTE: Rock music is often a medium prone to hyperbole, and the word 'classic' is one of the most over used words in the genre. However, when one finds out that the earliest known appearance of the story is in the 6th Century BC, it makes claims that "Robbie Williams has made a 'Classic' album" seem pretty small beer, but I digress - I do that a lot, you'll find)

Still digressing, for those of you who are not familiar with the old old story about how Orpheus lost his wife and went into Hades to find her, you had better check it out
HERE)

You know it is going to be classy; you know it is going to be edufite; you know that it is going to be well crafted. But, bloody hell, you don't realise that it is going to be so much fun! Corinna, (my wife), Graham (my best mate) and Prudence (my rather silly bulldog/boxer bitch) sat down to listen to it this evening, and none of us got even slightly what we expected....

To be Continued...

Monday, 7 March 2011

A Very Intimate Evening With Rick Wakeman


A Very Intimate Evening With Rick Wakeman
Rick Wakeman undertakes a series of live concerts stretching from March through to the summer
The concerts are billed as “A Very Intimate Evening With Rick Wakeman” and are a One Man Show. The tour dates are below and for full details check out Rick’s website

http://www.rwcc.com/live.asp

It is also hoped to announce a major Archive release from Rick shortly however for those who can’t make the gigs and can’t do without their “Rick fix” you can order the Yes Union limited edition DVD/CD package or pre order the forthcoming Deluxe Edition of the Anderson Bruford Wakeman Howe album. There are also a number of Rick Wakeman solo albums available to order from the Gonzo website!

http://www.gonzomultimedia.co.uk/product_details/13922/Yes-Union_(Deluxe_2CD_&_2DVD).html

12/03/11 St. Andrews Hall Norwich
26/03/11 Mercury Theatre Colchester
02/04/11 Garrick Theatre Lichfield
08/04/11 Sheffield Cathedral Sheffield
16/04/11 The Harrogate Theatre Harrogate
23/04/11 Pacific Road Arts Centre Birkenhead
15/05/11 The Anvil Basingstoke
22/05/11 St. George’s Hall Bristol
26/05/11 Regent Centre Christchurch
29/05/11 Sketchley Grange Hotel Hinkley
03/06/11 Queen’s Hall Edinburgh
04/06/11 Grand Theatre Swansea
10/06/11 The Forum Barrow-In-Furness
16/06/11 The Playhouse Nottingham
09/07/11 Thoresby Hall Hotel Ollerton